Hannah Renfield lives in the Canadian prairies with a floofy, lemon-meringue of a bird, a jumble of crystals and a few dozen bottles of fountain pen ink. She paints watercolour pictures of happy monsters and quirky haunted houses, comfort-watches horror movies, and has played The Last of Us too many times to count.
Her favourite kinds of stories speak of the beauty in found families, non-traditional relationship structures and crooked kinds of love.
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