This volume builds on the progress achieved by following the outlines and good practice established in Book 1. This book helps to establish the habit of regular sight-reading, generally recognized as...

This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored...

This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1...

The aim of this first sight-singing volume is to instil confidence in singers and to present a method of approaching all aspects of singing at sight. Many of the melodies follow familiar shapes and rhythms,...

- An approach based on self-learning and recognition of rhythmic and melodic patterns. - Original tunes, rather than abstract sight-reading exercises. - 214 carefully graded pieces in a range of musical...

- Follows on from book 1 - Uses bass, tenor and treble clefs - Uses all positions including the thumb position - Range extended to include high notes - A variety of styles and keys - Preparation for solo,...

This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces...

- An approach based on self-learning and recognition of rhythmic and melodic patterns - Original tunes rather than abstract sight-reading exercises - 195 carefully graded pieces in a range of musical...

An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be...

Here comes a book with really fresh ideas just at the right time. The two authors John Kember and Martin Beech are profound experts on guitar didactic problems. They present a compendium of pieces arranged...

This collection of original tunes presents 180 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 11 sections of the book...

A self-learning approach for sight-reading based on the recognition of rhythmic and melodic patterns. - 136 graduated exercises - both hands treated equally - begins with four notes in each hand - introduction...

- An approach based on self-learning and recognition of rhythmic and melodic patterns - Original tunes rather than abstract sight-reading exercises - 237 carefully graded pieces in a range of musical...

- An approach based on self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 150 carefully graduated pieces in a range of musical styles...

This collection presents over 100 carefully graded sight-reading pieces and exercises in a range of musical styles, for piano. Taking an approach based on self-learning, the book focuses on developing...

- Provides supplementary material to Piano Sight-Reading 1 - An approach based on independent learning and the recognition of rhythmic and melodic patterns - 175 exercises in a range of musical styles...

An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be...

An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be...

This collection of original tunes presents 122 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the five sections of the book...

'Guitar Sight-Reading 2' aims to build on the sight-reading skills learnt in book 1 and provides a wealth of more challenging examples so that the pupil may gain even greater confidence when approaching...

Clarinet Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's...

- An approach based based upon self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises. - 163 carefully graduated pieces in a range of musical...

Violin Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. The emphasis is on providing idiomatic tunes and structures rather than...

This collection of original tunes presents 193 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 11 sections of the book...

Sight-reading is an important aspect of making music and should in some form become a regular part of a student's routine each time they play their instrument. Regular sight-reading helps the pupil to...

This collection presents 195 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Double Bass. Taking an approach based on self-learning, the 11 sections of the book...

- An approach based upon self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 149 carefully graduated pieces in a range of musical styles...

Flute Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's...

Flute Sight-Reading 2 aims to build on the sight-reading skills learnt in book 1. There are five sections in increasing development. The emphasis is on providing idiomatic tunes and structures rather...

'Saxophone Sight-Reading 1' aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's...