chris wind has degrees in Literature, Education, and Philosophy.
Her poetry has been published in Alpha, The Antigonish Review, Ariel, Atlantis, Bite, Bogg, Canadian Author and Bookman, Canadian Dimension, Canadian Woman Studies, Contemporary Verse 2, The Free Verse Anthology, Girlistic Magazine, grain, Interior Voice, Kola, Mamashee, The New Quarterly, Next Exit, Onionhead, Poetry Toronto, Prism International, Rampike, Shard, The University of Toronto Review, The Wascana Review, Whetstone, White Wall Review, Women's Education des femmes, and three anthologies (Clever Cats, ed. Ann Dubras; Going for Coffee, ed. Tom Wayman; Visions of Poesy, ed. Dennis Gould). "Luncheon on the Grass" was the motive poem for an exhibit by Brooks Bercovitch and Colton at the Galerie Schorer, Montreal (1998).
Her prose has been read on CBC Radio and published in ACT, Alpha, American Atheist, The Antigonish Review, Canadian Woman Studies, event, Existere, (f.)Lip, Herizons, Herstoria, The Humanist, Humanist in Canada, Hysteria, The New Quarterly, Other Voices, Secular Nation, and Waves.
Her theatrical works have been performed by 27th Letter (UK), Creative Curve (UK), Venus Theatre (US), Laurel Theater, Alumnae Theatre, Theatre Resource Center, Theatre Asylum, Buddies in Bad Times, and A Company of Sirens (all in Canada).
chris wind has received thirteen Ontario Arts Council Writers' Reserve grants based on publisher and theatre recommendation.
chris wind was a panellist at the Canadian National Feminist Poetry Conference (Winnipeg, 1992), and featured in an article in The Montreal Gazette (1994).
Lastly, chris wind is listed in "Who's Who in Hell" (probably because of "Faith," "The Great Jump-Off," and Thus Saith Eve).
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Lady MacBeth kill herself? Please. And Portia—you don't think someone that intelligent would be pissed to be bait and trophy? As for Kate ... that's supposed to be funny? "Soliloquies: the lady doth indeed protest" is a collection of soliloquies by Ophelia, Lady MacBeth, Regan, Portia, Desdemona, Kate, Isabella, Juliet, Marina, and Miranda—protesting the role given to them by Shakespeare.
Exquisite poetry. Fresh new audition pieces. And a theatrical script ready for performance.
*****
"…not only dynamic, imaginative verse writing, but extremely intelligent and intuitive insight … I know many actresses who would love to get their hands on this material! As a Shakespeare director, I'm thrilled by the perspective which Chris' pieces provide of the plays and characters which they challenge – I believe these will be sought after by theatre companies which also do solid classical work, as new material for their audiences, embraced by a season of Shakespeare plays.As a feminist, I'm excited by how these characters come alive and point up the perceptions and misperceptions that have shaped their literary and theatrical destinies.As a dramaturg, I'm more than pleased to find modern playwrights who can write in heightened language and/or verse. This is a rare gift, and Chris has this gift." Joanne Zipay, Judith Shakespeare Company, NYC
"I quite enjoyed this poetry collection!" Sam, Goodreads
Título : Soliloquies: The Lady Doth Indeed Protest
EAN : 9781926891088
Editorial : Magenta
El libro electrónico Soliloquies: The Lady Doth Indeed Protest está en formato ePub
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